|
| Selections from Figure Fetish: |
 Pink Pearls Synthetic hair, plastic beads, plastic tube 34 x 18 x 23" 1999 |
 Cassopeia Steel, glass beads 6'8" x 4' diameter 2000 |
Statement: In my recent work, although it continues to be abstract, I have created decorative and delicately feminine surfaces of woven wire or PVC, also metal leaves and flowers. Often the wire in my past work looked hair-like. My most recent work, included in this exhibition, goes one step further by actually using hair as the primary medium. Using hair as a medium implies using ones own body (or part of it) to make art. It refers also to the artifice of hair styles especially since the hair I've used is synthetic hair. In several of the pieces I've continued to create decorative and delicate surfaces by weaving the hair and combining it with other materials. The resulting pieces refer to objects other than hair. For instance, the humorous piece "Bee Hive" refers to both the hairdo of the same name and a hive or Cajon. The collages are more general. They are created intuitively and are a thinking process that sometimes results in sculptures and sometimes derives from them. The dome shaped outdoor piece titled "Cassopeia" has a surface of black PVC, metal trees around the bottom and metal stars near the top. It is like hair formed into a bun, the dome of a building and also a landscape. Niki Ketchman |
Curriculum Vitae |
ONE PERSON EXHIBITIONS |
| 2000 |
Knoxville Museum of Art, World's Fair Park Dr., Knoxville, TN, "Fabrications" |
| 1999 |
Connecticut Commission Artists Showcase, Bradley Airport, Windsor Locks, CT |
| 1998-9 |
DeCordova Museum and Sculpture Park, Sandy Pond Rd, Lincoln, MA, "Fabrications" |
| 1997 |
Gallery New World, Dusseldorf, Germany |
| 1996 |
Kouros Gallery, 23 East 73rd Street, NYC |
| 1994 |
Cortland Jessup Gallery, 432 Commercial Street, Provincetown, MA |
| 1993 |
Kouros Gallery, 23 East 73rd Street, NYC |
| 1992 |
Cortland Jessup Gallery, 234 Commercial Street, Provincetown, MA |
| 1991 |
Humphrey, 594 Broadway, New York, NY |
| 1991 |
Cortland Jessup Gallery, 234 Commercial Street, Provincetown, MA |
| 1990 |
Cortland Jessup Gallery |
| 1989 |
Alena Adlung Gallery, 31 Greene Street, NYC |
| 1987 |
Aetna Gallery Institute, Hartford, CT |
| 1984 |
Pindar Gallery, 127 Greene Street, NYC |
| 1984 |
Mona Berman Gallery, 168 York Street, New Haven, CT |
| 1983 |
Pindar Gallery |
| 1983 |
Mona Berman Gallery |
| 1981 |
Pindar Gallery |
1981 |
Bell Gallery, Fieldpoint Road, Greenwich, CT |
MUSEUM EXHIBITIONS |
| 2000 |
New Britain Museum of American Art, New Britain, CT, one person exhibition |
| 2000 |
Knoxville Museum of Art, World's Fair Park Dr.," Fabrications", one person show of outdoor & indoor sculpture and works on paper |
| 1998-9 |
DeCordova Museum and Sculpture Park, Lincoln, MA, "Fabrications", one person show of outdoor and indoor sculpture and works on paper |
| 1998-00 |
Leigh Yawkey Woodson Art Museum, "Just the Thing! Contemporary Outdoor Sculpture and the Object", Wausau, Wl, curated by Nick Capasso, Associate Curator of the DeDordova Museum and Sculpture Park, Lincoln, MA |
| 1995-6 |
Grounds for Sculpture, "Three Sculptors and Their Drawings", Hamilton, NJ |
| 1994-9 |
DeCordova Museum, Sculptures on Extended Outdoor Exhibit, Lincoln, MA |
| 1994-5 |
Lyman Allyn Museum, Sculpture on Extended Outdoor Exhibit, New London, CT |
| 1994 |
Boise Art Museum, Boise, ID, "Fabricated Nature" traveled to University of Wyoming Art Museum, Laramie, WY; |
| 1994 |
Virginia Beach Center for the Arts, Virginia Beach, VA |
| 1994 |
Stamford Museum & Nature Center, Stamford, CT; Four Winners Exhibition |
| 1993 |
Lyman Allyn Museum, New London, CT, "The Inner Light: An Invitational Sculpture Exhibition" |
| 1991 |
The Bruce Museum, Greenwich, CT, "The Second Connecticut Biennial Exhibition" |
| 1990 |
Stamford Museum, Stamford, CT, one person show |
| 1987 |
Bronx Museum of the Arts, Bronx, NY, "In the Country" |
| 1984 |
Heckscher Museum, Huntington, NY, "Through the Looking Glass; Reflected Images in Contemporary Art" |
1978 |
Aldrich Museum of Contemporary Art, Ridgefield, CT, "Contemporary Reflections" |
HONORS AND AWARDS |
| 1999 |
Franconia Sculpture Park/Jerome Foundation Fellowship, Shafer, Minnesota |
| 1999 |
Weir Farm Trust Visiting Artist, Wilton, CT |
1980 |
GTE Corporation Award, New England Exhibition, Silvermine Guild of Artists, New Canaan, CT |
SELECTED GROUP EXHIBITIONS |
| 1999 |
Franconia Sculpture Park, Shafer, Minnesota, "Directors' Choice" |
| 1999 |
Kim Foster Gallery, 529 West 20th Street, "small abstraction" |
| 1999 |
PMW Gallery, Stamford, CT, "Figure, Fetish", (Four person show) |
| 1997 |
Elena Zang Gallery, Woodstock, NY, Outdoor Sculpture Show |
| 1997 |
Kouros Gallery Sculpture Center, Ridgefield, CT, Summer Group Show |
| 1996 |
FAO Gallery, Broome Street, NYC, "If the Shoe Fits...",, group show |
| 1996 |
John Slade Ely House, Four Person Show, New Haven, CT |
| 1996 |
Hollycroft Foundation, Ivoryton, CT, Outdoor summer group show |
| 1996 |
Kouros Gallery Sculpture Center, Ridgefield, CT, Summer Group Show |
| 1995 |
Gallery of Contemporary Art, Sacred Heart University, Fairfield, CT (Two person show) |
| 1995 |
Sights on the Sound, Special Olympics Sculpture Exhibition, New Haven, CT |
| 1995 |
Hollycroft Foundation, Ivoryton, CT, Outdoor, summer group show. |
| 1995 |
Kouros Gallery Sculpture Center, Ridgefield, CT, Summer Group Show. |
| 1994 |
Kouros Gallery Sculpture Center, Summer Group Show. |
| 1993 |
Kyoto Gallery, Kyoto, Japan, Sculptors Guild Exhibition |
| 1992 |
Philippe Staib Gallery, 8 Greene Street, NYC, "Then & Now" Curated by Buzz McCall |
| 1992 |
InterArt Center, "Dematerialism" |
| 1992 |
International Sculptors Conference, Philadelphia, PA, Sculptors Guild Exhibition |
| 1992 |
Humphrey, 594 Broadway, NYC, Summer Group Show |
| 1992 |
Kouros Gallery, 23 East 73rd Street, NYC & Sculpture Center, Ridgefield, CT, Summer Group Shows |
| 1991 |
Kouros Gallery Sculpture Center, Ridgefield, CT, Summer Group Show |
| 1991 |
Sculptors Guild, 104-110 Greene Street, NYC |
| 1990 |
Kouros Gallery Sculpture Center, Ridgefield, CT, "Out of Doors: Diversity in Environmental Sculpture" |
| 1990 |
The Connecticut Gallery Marlborough, CT, Group Show |
| 1989 |
John Szoke Gallery, NYC, "Man-Woman-Child" |
| 1988 |
John Szoke Gallery, NYC, "New York Inspired" |
| 1987 |
Silvermine Guild of Artists, curated by Andrew Stasik, "A Sense of Place" |
| 1983 |
The General Electric Gallery, A Silvermine Christmas |
| 1982 |
Mona Berman Gallery, New Haven, CT, "Realism" |
| 1981 |
Fairfield University, Fairfield, CT, "Images in Airbrush-Six Spray Painters" |
| 1980 |
Bell Gallery, Greenwich, CT, "Four Points of View" |
| 1979 |
Hansen Gallery, South William Street, NYC |
| 1978 |
Hansen Gallery, Wooster Street, NYC |
| 1976 |
Montclair State College, Upper Montclair, NJ |
1971 |
Fairleigh Dickinson University, Madison, NJ |
JURIED EXHIBITIONS |
| 1994 |
Explorations, Inner/Outer Spaces, Chesebrough Gallery, Westport, CT Juror - Charlotta Kotik, Curator, Contemporary Art, Brooklyn Museum |
| 1990 |
Primal Forces, Women's Caucus for Art National Exhibition, Cooper Union College, NYC Juror - Dr. Sharon F. Patton, Chief Curator, The Studio Museum of Harlem |
| 1989 |
Art of Northeast USA, Silvermine Guild Center for the Arts Juror - Helaine Posner, Curator, Contemporary Art, The National Museum of Women in the Arts, Washington, DC |
| 1988 |
Art of Northeast USA, Silvermine Guild Center for the Arts Juror - Lowery Sims, Associated Curator 20th Century Art, Metropolitan Museum of Art, NYC |
| 1987 |
Contemporary Portraits from the Northeast, Creative Arts Workshop, CT Juror - Philip Pearlstein |
| 1983 |
New England Exhibition, Silvermine Guild of Artists Juror - Suzanne Delehanty, Director, Neuberger Museum |
| 1982 |
Views by Women Artists, "Women Artists, Self-images," Judy Caden Gallery, 180 Duane Street, NYC Juror - Ellen Lubell, Free-lance critic |
| 1980 |
New England Exhibition, Silvermine Guild of Artists, New Canaan, CT GENERAL TELEPHONE AND ELECTRONICS CORPORATION AWARD Juror - Henry Geldzahler, Commission of Cultural Affairs of NYC |
| 1979 |
Greenwich Arts Council Juried Show, Greenwich, CT Juror - Lester Johnson, painter Chairman, Yale Graduate Art Department |
| 1979 |
Westport-Weston Arts Council Juried Show, Westport, CT, THIRD PRIZE Juror - Jacqueline Moss, Curator of Education, Aldrich Museum of Contemporary Art; Bruce Glaser, Dean of Fine Arts, University of Bridgeport; Warren Owens, Painter and Sculptor |
| 1978 |
National Artists' First Annual Open Juried Exhibition, New Haven, CT Juror - Lowery Sims, Curator, 20th Century Art, Metropolitan Museum of Art, NYC |
1978 |
New England Exhibition, Silvermine Guild of Artists, New Canaan, CT Juror - Thomas Hess, Curator, 20th Century Art, Metropolitan Museum of Art, NYC |
COLLECTIONS |
| Grounds for Sculpture, Hamilton, NJ |
| DeCordova Museum, Lincoln, MA |
| The National Museum of Women in the Arts, Washington, DC |
| Housatonic Museum of Art, Bridgeport, CT |
| City University of New York, Staten Island, NY |
| Westport Public School System, Westport, CT |
| Royal Caribbean Cruise Lines, Song of Norway |
| Southern New England Telephone, CT |
| Pepsico, Purchase, NY |
| Cigna, Brookfield, CT |
| Champion Paper, Stamford, CT |
| General Electric Corporate Headquarters, Fairfield, CT & Washington, DC |
| Rax Restaurants, Columbus, OH |
| Westport Historical Society, Westport, CT |
| New York Twist Drill, Huntington, NY |
Many private collections |
ARTICLES AND REVIEWS |
| The New York Times |
| William Zimmer, "Crop of New Names, Fields of Sculpture", August 1, 1997 |
| William Zimmer, "A Profile of Sculpture's Concerns," June 23,1996 |
| William Zimmer, "How Funny Is the Human Body? Some Answers From Sculptors," January 28, 1996 |
| Vivian Raynor, "When (and Where) Sculpture Can be Seen in Sharper Relief," November 12, 1995 |
| Vivian Raynor, "In Ridge field. Works Familiar and New," September 4, 1994 |
| Vivian Raynor, "The Tidy World of a New England Printmaker in Old Lyme," December 12, 1993 |
| Vivian Raynor, "Seven Sculptors Construct A Show At Norwalk Community College," December 29, 1991 |
| William Zimmer, "Sculpture Themes Intertwine at Outdoor Display in Ridgefield," October 15, 1991 |
| William Zimmer, "Connecticut Biennial Displays Diversity," April 14,1991 |
| William Zimmer, "Sculpture Garden Yields Bumper Crop," September 16, 1990 |
| Vivian Raynor, "Art: In Museo Del Barrio, Influences on a Culture," July 6, 1984 |
| Ruth Robinson, "Looking to Westport for Inspiration," April 10, 1983 |
| Vivian Raynor, "Following in Their Footsteps, "August 6, 1978 Art in America |
| Jonathan Goodman, "Niki Ketchman at the DeCordova Museum and Sculpture Park", June, 1999 Art News |
| Alice R. Gray, "Then & Now, Philippe Staib," October, 1992 |
| Sculpture Magazine: Marty Carlock, "Niki Ketchman, Fabrications", November, 1998 |
| The Boston Globe: Christine Temin, "Sculpture Parks: Lithuania to Lincoln", July 15, 1998 Marty Carlock, "Images Woven from Miles of Wire, DeCordova Show has Feminine Feel", June 21, 1998 |
| Art New England: Kate Jennings, "Regional Reviews, Connecticut Silvermine Guild, New Canaan, Black and White," May 1989 Paula Reens, "Regional Reviews, Connecticut, Silvermine Guild, New Canaan, Food, Glorious Food," June 1987 |
| Milwaukee Journal Sentinel: James Auer, Show offers outdoor sculpture with some sass, July 1, 1998 |
| The Hour: Betty Tyler, "The Eloquent Sculptures of Niki Ketchman," September 2, 1994 |
| Arts Magazine: Jacqueline Moss, "Nancy Ketchman," April, 1984 Robert Yoskowitz, "Nancy Ketchman," March, 1981 Jacqueline Moss, "Nancy Ketchman," January, 1981 Robert Yoskowitz, "Group Show," February, 1980 |
Artspeak: Joseph Merkel, New York's National Spring Annuals, May, 1991 Roger Erickson, "Season Highlight Shows Part 1, SOHO,"July 3, 1980 |
CATALOGS |
| "Niki Ketchman: Fabrications", June 13, 1998-May 31, 1999, DeCordova Museum and Sculpture Park, Lincoln, MA |
| Arthur Danto, "Pre-historical and Post-Modern Forms in the Work of Niki Ketchman" |
| Nick Capasso, "Niki Ketchman: Fabrications" |
| "Just the Thing! Contemporary Outdoor Sculpture and the Object", June, 1998-May, 2000, Leigh Yawkey Woodson Art Museum, Wasua, Wl |
| Nick Capasso, essay "Niki Ketchman, Primal Fugue", March 16-April 13, 1996, Kouros Gallery, New York, NY |
| Cynthia Nadelman, essay "Fall/Winter Exhibition, 95/96, Three Sculptors and Their Drawings", October 21, 1995- February 29, 1996, Grounds for Sculpture, Hamilton, NJ |
| Buzz McCall, "The Speculative Aspects of Memory, Lawrence Fane, Niki Ketchman, John Monti, Conversations with the Artists and Reflections about their Work" |
| "Fabricated Nature", April 9-November 20, 1994, Boise Museum of Art, Boise, Idaho, University of Wyoming Museum of Art, Laramie, Wyoming, Virginia Beach Center for the Arts, Virginia Beach, Virginia |
| Sandy Harthorn, essay "The Connecticut Biennial II", February 24-May 25, 1991, The Bruce Museum, Greenwich, CT |
| Nancy Hall-Duncan, essay "Then & Now, A Selection of Artists Who Early in Their Museum Careers Exhibited at the Aldrich Museum of Contemporary Art of Ridgefield, Connecticut", April 23-May 30, 1992, Philippe Staib Gallery, New York, NY |
| Marc J. Straus, M.D., essay |
| Buzz McCall, essay John Russell, essay reprinted from |
John Russell, essay reprinted from "Art in America", January, 1969 |
EDUCATION |
| 1976 MA (Fine Arts), Montclair State College, NJ |
1971 BA (Fine Arts), Cum Laude, Fairleigh Dickinson University, NJ |
TEACHING |
| 1992-93 New Museum of Contemporary Art, NYC, Docent |
| 1978-81 Sacred Heart University, Bridgeport, CT, Painting, Drawing, Art History |
| 1977-79 Quinnipiac College, Hamden, CT; Painting, Drawing | | |